| 2007 |
The Importance of Being Honest - Honesty and the Development of Selves in George Orwell's Autobiographical Writing. (Kwok, Tsz Ki) |
| 2007 |
Representations of the American Civil War: Whitman, Crane and Bierce. (Kwok, Yat Kam Camie) |
| 2007 |
Conflictual Self in the Modern World: A Study of Selected Works by Joseph Conrad and Yasunari Kawabata. (Lau, Chi Sum Garfield) |
| 2007 |
Opening the Ground: Heaney's Autobiography and his Interior Journey. (Shi, Huiwen) |
| 2006 |
A City of Two "Winds": The Hybridity of Hong Kong and Hongkong Yan. (Chan, Ching Yee Rose)
|
| 2006 |
Mourning in Shakespeare: Different Aspects of Surviving Death. (Chan, Lai Man Hester)
|
| 2006 |
Histories in Fictions: The Configuration of Hong Kong in Xu Xi's History's Fiction and David T.K. Wong's Hong Kong Stories. (Siu, Lok Yi Phoebe) |
| 2006 |
Words and Images: The Representations of Rebels in 1950s American Novels and Film. (Yong, Wai Ting Ruby) |
| 2006 |
Female Body, Subjectivity and Identity in Jasmine, The Handmaid's Tale and Nights at the Circus. (Yuen, Siu Fung Phoenix) |
| 2005 |
Women Speaking, Spoken to and Spoken of: Feminist Readings of Selected Plays
by Pinter. (Cheung, Wah Gerald) |
| 2005 |
Personalizing Film Adaptation: Literature into Cinema in
the Work of Roman Polanski. (Fung, Tat Yeung) |
| 2005 |
The Images of Homeland in the Exile Poetry of Beidao and
Joseph Brodsky. (Ko, Chung Man Cynthia) |
| 2005 |
Negotiating Development from Childhood to Young
Adulthood in Shakespeare. (Lam, Wai Yee) |
| 2005 |
Reading Beckett and Yeats from a Crosscultural
Perspective: A Reader-Oriented Approach. (Li, Mei Yee Florence) |
| 2005 |
Consummation of Sexuality and Religion in the Love and Divine Poetry of John Donne. (Ng, Pui Lam Lorraine) |
| 2004 |
Evolution of a Heroine: From Pride and Prejudice to
Bridget Jones Diary. (Chan, Ka Ling Zoe) |
| 2004 |
From Conrad's 'Alienation' and 'Impressionism' To Nietzsche's Philosophy. (Cheung, Ching Lap Dickson) |
| 2004 |
Reading the ModernCity, Reading Joyce and Eliot: A Study
of Flanerie in Literary Representation. (Lau, Kin Wai) |
| 2004 |
Rhyme to See Myself? Exploring Identity in Seamus
Heaney Early Poetry (1966-1975). (Li, Chit Ning Chloe) |
| 2004 |
Voices of Resistance: Alternative Cultures in The
Catcher in the Rye, One Flew Over the Cuckoo Nest and Generation X. (Ma, Chun
Lung Graham) |
| 2004 |
Wandering Between Classes: The Depiction of Poverty in
George Orwell Early Texts. (Tsang, Tim Josephine) |
| 2004 |
Erasing the Myth of Autonomy: The Relational Self in
J.M. Coetze Boyhood and Youth. (Tsui, Yuk Chun Nancy) |
| 2004 |
Je est un autre: Multiple Selves in Autobiographical
Fictions. (Wong, Chun Chi Nicole) |
| 2004 |
Aspects of Music in Shakespearean Drama. (Wong, Ka Ki
Katrine) |
| 2003 |
The Unfolding of Self in the Mid-Nineteenth Century
English Bildungsroman. (Cheung, Fung Ling Sally) |
| 2003 |
The Multiplicity of the Detective Thriller as Literary
Genre. (Kwok, Sze Ki Agnes) |
| 2003 |
The Cultural Imaginary and Identity in the Works of
Maxine Hong Kingston. (Tong, Wing Yin Susanna) |
| 2003 |
Crimes & Criminals in William Trevor Novels. (Wong,
Winne) |
| 2002 |
Social Influence and the Human Aspiration for Freedom:
Two Fictions of Duality in the Late Victorian Age. (Lee, Ka Man Ida) |
| 2002 |
Postcolonial Counter Discourse in Historical Novel
Writing: The Construction of Historical Representation and Cultural Identity in
One Hundred Years of Solitude, Midnight's Children, and Flying
Carpet. (Ng, Chui Yin Christine) |
| 2002 |
Intertextual Variations: A Contrastive Study of Ellis
Cornelia Knight, Angela Carter, Marina Warner and Paula Rego. (Wong, Man Ki
Vanessa) |
| 2002 |
Strategies of Authorship by Ethnic Minorities:
Construction of Identity by Three Chinese-American Writers. (Wong, Yuen Wing
Catherine) |
| 2002 |
Post-colonial Discourses in Education, Language and
Secondary School Textbooks of English in Hong Kong. (Keung, Yuen Kwan) |
| 2001 |
A Momentary Stay against Darkness: Quest for Fulfillment
in Robert Frost's Poetry.
(Leung, Choi Ha Florence) |
| 2001 |
The Representation of Feminine Fear in Sylvia Plath's
Poetry. (Wong, Hiu Wing Fiona) |
| 2001 |
A Study of Oscar Wilde's The Picture of Dorian
Gray, E.M. Forster's Maurice and John Rechy's City of Night in
relation to the self-identity of the 'gays'. (Wong, Nga Lai) |
| 2000 |
Towards the Gender Balance: The Struggle and Survival in
D.H. Lawrence's Novels. (Chung, Ka Man Amy) |
| 2000 |
"Voice in the Heart": Post-coloniality and Identity in
Hong Kong English Language Literature. (Hooper, Brian John) |
| 2000 |
The Murderoous Women: Madness in Modern Western and
Chinese Women's Literature. (Lui, Sha Lee Sally) |
| 2000 |
Imagistic Action: An Interdisciplinary Study of Poetic
Tension in Yeats' Theatre. (Wong, Hing Yi Orieta) |
| 2000 |
"Fictions of Crisis": A Comparative Study of Some
Aspects of Fictions by D.H. Lawrence and Thomas Mann. (Young Ada) |
| 2000 |
Fictionalized Death: A Comparative Study on Samuel
Beckett, Albert Camus and Zhang Xianliang. (Mak, Mei Kwan Alisa) |
| 1999 |
Gender Identity and Androgyny in "Shuang Shen" Au¡L-
[Dual Bodies], "Orlando", "A Room of One's Own" and "The Illusionist". (Kung,
Siu Bing) |
| 1999 |
The City and the Self in William Carols Williams'
Paterson. (Chan, Weng Kit Danny) |
| 1999 |
Chinese Eyes, Eurasian Eyes on Timothy Mo's Novels.
(Choi, Yan Yan Cecilia) |
| 1999 |
Visions of the Future in the Science Fiction of H.G.
Wells. (Leong, Hang Tat Jacky) |
| 1999 |
Female Subjectivity in the Fiction by Doris Lessing
& Zhang Jie. (Li, Tsui Yan Jess) |
| 1999 |
A Psychoanalytic Study of Indecision in Lord Jim, Half
of Man is Woman, and The Frence Leutenant's Woman. (Yu, Cheuk Keung
Peter) |
| 1999 |
Poetry of the Blues: The Lyrics of Robert Johnson &
Blind Lemon Jefferson. (Cheung, Ming On Bernard) |
| 1999 |
Convergence and Divergence: A Comparative Study of Myth
and Tragic in Jiuge and Agamemnon. (Kuan, Ah Shan) |
| 1998 |
Reflections of Narcissism in Three Novels by Oscar
Wilde, Yukio Mishima and Gu Cheng. (Lai, Tak Yee Amy) |
| 1998 |
The Lore of Childhood: Subversion of Gender
Socialization in Certain Examples of English and Hong Kong Children's Fiction
Since the 1960s. (Chan, Mei Lan Maggy) |
| 1998 |
The Representation of Space in Contemporary Hong Kong
Nostalgic Films. (Chu, Wing Ki Blanche) |
| 1998 |
Image and Identity: A Study of Connie Chan Po Chu and
Josephine Siao Fong Fong as Popular Icons for Women in the Culture Industry in
Hong Kong. (Ku, Ho Kwan Lisbeth) |
| 1997 |
Power and Resistance in Dystopian Literature: A
Foucauldian Reading of Three Novels. (Ki, Wing Chi) |
| 1997 |
Love and Confinement in Jean Rhys's Fiction. (Cheng,
Mung Lai Clara) |
| 1996 |
The Survival of Love in Pinter's Drama of Hostility.
(Wai, Kui Man Wendy) |
| 1996 |
A Genre of Longing and Hope: Idea of the Child and
Children's Literature in Hong Kong. (Chan, Shin Kwan Meimei) |
| 1996 |
Plurality of Identity and Culture: The Wanderer Motif in
Contemporary Chinese and Chinese-American Writings. (Ho, Wai Kwan
Katy) |
| 1995 |
From Public Sphere to Interpretative Citizenship: Chang
Ta-chun and the Ideal of Communicative Praxis. (Leung, Wing Sze
Evelyn) |
| 1995 |
Space of Exalted Repression and Complicitous Resistance:
Approaching the Postmodern Hyperspace and Cyberspace through Fantasy. (Chan, Siu
Ling Fiona) |
| 1995 |
Betrayal in Contemporary British Drama: Harold Pinter,
Tom Stoppard and Peter Nichols. (Wong, Suk Yin Edith) |
| 1994 |
The Female Self in Contemporary Chinese Fiction. (Lau,
Kam Fung) |
| 1994 |
Female Initiation in Modern Chinese Fiction. (Lo, Man
Wa) |
| 1994 |
The Uses of Sam Hui -- An Investigation of the Formation
of Cultural Identity in Hong Kong. (Ip, Pui Yee) |
| 1994 |
Female Identity in Virginia Woolf and Wang Anyi. (Tsui,
Wing Yi Wanda) |
| 1993 |
The Hermeneutic Turn of Translation: Illustrated with
Tang Poetry. (Chan, Kit Sze Amy) |
| 1993 |
Adequacy of Landscape: Subjectivity in Wallace Stevens's
and Wang Wei's Poetry. (Han, Pin Gara) |
| 1991 |
Reviewing the Tamkang Review: Some Theoretical and
Methodological Issues in the Development of East-West Comparative Literature
Studies. (Chen, Jue) |
| 1991 |
Imagination in Sino-Western Comparative Perspectives.
(Kwok, Wai Fong Agnes) |
| 1990 |
A Comparative Study of the Mother Archetype in Death in
Chicago and A Passage to India. (Kwan, Yuk Ching Carrie) |
| 1990 |
Between Realist and Allegorical Discourse: A Comparative
Study of Han Shaogong's Fiction. (Ngai, Ling Tun) |
| 1990 |
Metaphorical Process in Sikong Tu's Shipin. (Lau,
Chi Chuen) |
| 1990 |
Theory, Institution and Text: Feminism and Critical
Strategies. (Yu, Kwan Wai Eric) |
| 1990 |
Zheng and Qi in Chinese and English
Fictions. (Lee, Ka Pik) |
| 1989 |
A Comparative Study of Teahouse. (He,
Yongqing) |
| 1989 |
The Chinese Short Story of l917-1927: Patterns of
Influence. (Lu, Zheng Wei) |
| 1988 |
Metamorphosis in the Chinese Narrative: A Comparative
Study. (Chin, Wan Kan) |
| 1988 |
A Semiotic Study of the Chinese Theatre. (Zhang,
Ning) |
| 1988 |
Love in Yuan Za-ju: A Comparative Psychological Study.
(Wang, Li Jun) |
| 1987 |
A Study of Lu-shih as an Aesthetic Form in the
Chinese Lyrical Tradition. (Ho, Yiu Fai) |
| 1986 |
Hsu Chih-mo's Indebtedness to Katherine Mansfield.
(Xiang, Li Ping) |
| 1986 |
Plot in Ling Mengchu's Short Stories in the Light of
Aristotelian and Neo-Aristotelian Criticism. (Li,Kit Chun) |
| 1986 |
The Organic Aesthetics of Liu Hsieh and Samuel Taylor
Coleridge. (Leung, Ming Chu) |
| 1986 |
The Tale of the White Serpent: An Archetypal View. (Cao,
Jinxi) |
| 1985 |
Mao Dun's Interpretation of Western Literary Realism.
(Ryder, Amanda Jane) |
| 1985 |
The Diversiveness in Hongloumeng: A Comparative
Study of Narrating Techniques East and West. (Tam, Po Chun Pauline) |
| 1984 |
Su Man-shu and Lord George Byron, A Question of
Influence: Their Literary Relationship re-assessed. (Chu, Chih Yu) |
| 1984 |
The Theme of Exile in the Li Sao: A Comparative View.
(Jor, Chi Keung George) |
| 1984 |
Wan-kao: A Study on a Chinese Genre in the
Perspective of Western Genre Theory. (Wong, Ho Kwan Simon) |
| 1983 |
Heterocosm and Ching-chieh: Towards a Concept of
Interiority for the Literary Work of Art. (Chow, Tin Ping) |
| 1983 |
The Journey's End: Return in Four Novels. (Tam, King
Fai) |
