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Conference Papers (2005 - 2009)

Chan Chi Chun 陳子晉 (Ethnomusicology)

  • 'Taoist ritual music in Hong Kong funeral homes' in the "2008 Association for Chinese Music Research (ACMR) Annual Meeting, USA, 2008.

Chan Mun Tak Ada 陳滿得 (Ethnomusicology)

  • 'Negotiation of Nationalism in the Postcolonial Era: The Chinese National Anthem in the Hong Kong Mass Media', 51st Annual Conference, Society for Ethnomusicology, Hawai'i, 2006.

Chan Pui Lun 陳沛倫 (Ethnomusicology)

  • 'More Global, Less Chinese? Peking Opera Activities in Hong Kong as a Reflection of the Phenomenon of Globalization' in the "Annual Conference of the British Forum for Ethnomusicology", Liverpool, England, Apr 16-19, 2009.

Chan Wai Yin 陳韋燕 (Ethnomusicology)

  • 'A Musical Study of the Fangsheng Ritual in Chinese Buddhism', 38th ICTM World Conference, U.K., 2005.

Guo Xinxin (Ethnomusicology)

  • "The Dilemma between Kantuman and Rawap (the plough and the lute): A Case Study of Dolan Muqam and Musicians of Kashgar in Xinjiang" in the 40th World Conference of the ICTM in South Africa on 1-8 July 09.
  • 'The Pull between Kantuman and Rawap (The Plough and the Lute): A Case Study of Dolan Muqam and Musicians from Kashgar, Xinjiang' in the "Annual Conference of the British Forum for Ethnomusicology", U.K., 2009.

Hong Ding (Theory)

  • 'Unveiled or Not? Chinese Elements and Cultural Implications in Chen Qigang's Iris Dévoilée' in the "Sixth Beinnial International Conference on Music Since 1900", UK, July 2-5, 2009.

Hung Ming Kin 洪銘健 (Composition)

  • Presented a work at the "Asian Contemporary Music Festival 2009", South Korea, Mar 26-Apr 3, 2009.

Lam Tin Wai 林天惠 (Ethnomusicology)

  • 'Singing for Harmony: The Hong Kong Japanese Club Choir in Transnational Social Space', 51st Annual Conference, Society for Ethnomusicology, Hawai'i, 2006.

Leung Mei Ki 梁美琪 (Musicology)

  • 'Mobile Phones, Ring-Tones and Their Relationship to Society: “RoadShow” in Hong Kong', 39th ICTM World Conference, Austria, 2007.

Mok Kiu Ho 莫僑浩 (Musicology)

  • 'Changing Theology in the Age of Enlightenment: Reflection from the Development of Church Music under the Influence of Eighteenth-Century Musical Aesthetics', Music and Theology: Making Connections, The Royal Music Association, The Music Department, Durham University, U.K., 2006

Ng Ka Chai 吳家齊 (Musicology)

  • 'Indigenizing Gregorian Chant: Vincent Lebbe and the Musical Representation of the Catholic Church in China in the Early 20th Century', 51st Annual Conference, Society for Ethnomusicology, Hawai'i, 2006.
  • ＜禮樂為鉤 – 兩個解讀禮儀與音樂資料的中國天主教史研究＞, Third International Young Scholars' Symposium on Christianity and Chinese Society and Culture, The Chinese University of Hong Kong, 2006.
  • 'Neumes and Chinese Liturgy: How Liturgical Renewal was brought to China by Vincent Lebbe', Ninth International Symposium on the History of the Chinese Catholic Church, Leuven, Belgium, 2007.

Li Huan 李環 (Ethnomusicology)

  • 'Who Needs Modern Opera? A Case Study of Modern Opera in Huagu Opera Troupe, Hunan Province, China', Annual Conference of the British Forum for Ethnomusicology, Liverpool, England, 2009.

Pang Pui Ling 彭珮玲 (Musicology)

  • 'Brahms's Serenades – Conception and Early Reception' at the RMA Research Students' Conference 2008, University of Surrey, Guildford, UK, 2008.
  • 'Brahms's Serenades – Conception and Early Reception' at the Fifteenth Biennial International Conference on Nineteenth century music, Ireland, 2008.

Tai Suk Yan 戴淑茵 (Ethnomusicology)

  • 'A Study on Tang Di-sheng's Cantonese Opera Works of the 1950s', 39th ICTM World Conference, Austria, 2007.
  • 'Migration and movement in Cantonese Opera', 51st Annual Conference, Society for Ethnomusicology, Hawai'i, 2006.

Tang Lok Yin (Composition)

  • Present Composition work in the "International Composition Prize Luxembourg Sinfonietta 2008, Luxembourg, 2008.

Tse Chun Yan 謝俊仁 (Ethnomusicology)

  • “由〈洞庭秋思〉看民間樂制在琴曲的運用.” Interdisciplinary, Intercultural International Conference on Guqin Aesthetics and Humanism, Taiwan, 2009.
  • “清朝琴曲的律制：五度律、純律、還是民間音律？” The 1st Hong Kong Symposium on the Qin, Hong Kong, 2008.
  • “From Chromaticism to Pentatonism: A Convergence of Ideology and Practice in Qin Music of the Ming and Qing Dynasties.” 12th International CHIME Conference, Ireland, 2007.
  • 'Reconstruction of a Song Dynasty qin piece – an integrated positivistic and aesthetic approach by an insider', 39th ICTM World Conference, Austria, 2007.
  • 'How Modernity Interacts with Tradition in New Compositions for the Qin: An Insider's Interpretation through an Interview Process', East Asian Music and Modernity Conference, Taiwan, 2006.
  • 'The Inconspicuous Acceleration in Qin Music: An Insider's View with Validation by a Receptive Study', Association for Chinese Music Research 2006 Annual Meeting, U.S.A., 2006.

Wong Hiu Lam 黃曉藍 (Theory)

  • 'Figuring Thirds in the Third Movement of Bartóks's Fifth String Quartet', Royal Music Association Research Students' Conference, Newcastle, 2005.

Wong Hoi Yan 黄海茵 (Theory)

  • 'Bartók's Influence on Chinese New Music', International Bartók's Orbit Conference, Institute for Musicology of the Hungarian Academy of Sciences, Budapest, 2006.

Yang Xiao 楊曉 (Ethnomusicology)

  • 'Gabx Gongx Ritual: Kgal Laox musical tradition as means in cultivating the concept of time among the Dong people in the Xiaohuang village, Southern China', 39th ICTM World Conference, Austria, 2007.