Table I : Publications related to the project
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Conference Papers

Chan Wai-kwong:

  • `Some Important Considerations for Music-Writing That Employs a Chinese Text' (34th International Congress of Asian and North African Studies, Hong Kong, August 1993)

  • `The Use of the Chinese Language in Contemporary Music Composition: Some New Directions' (Second Conference on Future Directions of Chinese Vocal Art, Centre of Asian Studies, University of Hong Kong, September 1993)

Chan Wing-wah:

  • `19601990: Thirty Years of New Music in Hong Kong' (33rd International Congress of Asian and North African Studies, Toronto, August 1990)

  • `Creative Music for Young People in Hong Kong' (Asia-Pacific Contemporary Music Forum and Festival, Philippines, November 1991)

  • `The Creativity and Promotion of Contemporary Chinese Music' (First International Chinese Composers' Orchestral Concerts and Conference, Taipei, March 1992)

J. Lawrence Witzleben:

  • `Musical System and Intergenre Relationships in Hong Kong' (Society for Ethnomusicology Annual Meeting, Cambridge, Massachusetts, November 1989, and (in Chinese) Colloquium on Music Cultures of China's South-Eastern Coastal Regions, Hong Kong and Guangzhou, February 1990)

  • `Instrumental Music in Hong Kong Taoist Ritual' (Association for Chinese Music Research, Oakland, California, October 1990)

  • `Traditional Instrumental Music in Contemporary Hong Kong' (International Colloquium for Traditional Music, Hong Kong, July 1991)

  • `Music in the Taiping Qingjiao Taoist Ritual in Hong Kong' (Society for Ethnomusicology, Chicago, November 1991)

Selected Publications

Chan Sau-yan:

Research on Cantonese Opera in Hong Kong, V. 2 (Chinese Theatre Research Project, Hong Kong, 1990)

Chan Wing-wah:

• `The Development of New Music in the Past Thirty Years in Hong Kong' (Ming Pao Monthly, V. 27:1, Hong Kong, 1992)

• `A Catalogue of Commissioned Music Compositions in Hong Kong from 19701990' in The History of New Music in China: A Critical Review, edited by Liu Ching-chih (University of Hong Kong, Centre for Asian Studies, 1992, pp. 342369)

Daniel Law:

• `Hong Kong' in New Music in the Orient: Essays on Composition in Asia since World War II, edited by Harrison Ryker (Buren, the Netherlands, Frits Knuf Publishers, 1991, pp. 225248)


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