Renditions—A Gateway to Chinese Literature and Culture

Renditions

No. 6 (Spring 1976)

Table of contents

5	EDITOR'S PAGE
6	HSIO-YEN SHIH: Poetry Illustration and the Works of Ku K'ai-chih
30	RICHARD EDWARDS: The Artist and the Landscape—Changing Views of Nature in Chinese Painting
53	CHIH KUNG: A Brief Note on the Lacquer Screen Painting of Northern Wei (Translated by Mayching Kao)
63	HIN-CHEUNG LOVELL: A Question of Choice, A Matter of Rendition
70	WANG FANG-YU: Chu Ta's "Shih Shuo Hsin Yü" Poems (Translated by Aileen Huang Wei and Wang Fang-yu)
85	JONATHAN CHAVES: Some Relationships Between Poetry and Painting in China
92	From the Chinese of Wang Wei (Translated by Albert Faurot)
95	DIANA YU: The Printer Emulates the Painter—the Unique Chinese Water-and-ink Woodblock Print
102	J.W.: Peasant Paintings from Hu-hsien
106	YU FEI-AN: The Use of Colour in Chinese Folk Art (Translated by D.Y.)
107	ELLEN JOHNSTON LAING: Biographical Notes on Three Seventeenth Century Chinese Painters
111	CHU-TSING LI: Problems Concerning the Life of Wang Mien, Painter of Plum Blossoms
125	LAURENCE C.S. TAM: Plant Paintings of Two Yang-chou Masters
138	JAO TSUNG-I: Painting and the Literati in the Late Ming (Translated by James C.Y. Watt)
144	THOMAS LAWTON: Notes on Keng Chao-chung
152	HSIANG TA: European Influences on Chinese Art in the Later Ming and Early Ch'ing Period (Translated by Wang Teh-chao)
179	NELSON I. WU: The Chinese Pictorial Art, Its Format and Program: Some Universalities, Particularities and Modern Experimentations
204	Notes on Contributors
207	Chinese Texts