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April 12, 2013(Friday) Conference Room, University Service Centre for China Studies, 8/F, Tin Ka Ping Building Theme: Model Peking Operas & their Transplantations |
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8:30am – 9:00am |
Registration
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9:00am – 9:30am |
Opening Remark LAI Chi Tim, The Chinese University of Hong Kong GAO Qi, The Chinese University of Hong Kong TSAI Tsan Huang, The Chinese University of Hong Kong
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9:30am – 11:00am |
The Dragon River Reaches the Borders: the Rehabilitation of Ethnic Music in Model Opera Rowan PEASE, SOAS, University of London The West is Red: The Uyghur Adaptation of Qizil Chiragh (Red Lantern) during China's Cultural Revolution Chuen-Fung WONG, Macalester College Chairperson: LEE Ou-fan, The Chinese University of Hong Kong |
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11:00am – 11:30am |
Coffee Break
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11:30am – 1:00pm |
National Development, Internationalism, and Third World Cinema in the Cultural Revolution Ban WANG, Stanford University
Sonic Imaginary after Cultural Revolution Nancy Yunhwa RAO, Rutgers University
Chairperson: WANG Shaoguang, The Chinese University of Hong Kong |
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1:00pm – 2:30pm |
Lunch |
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2:30pm – 4:45pm |
Breaking Bad: The Body, the Voice, and the Villain in Amateur Performance of Yangbanxi Laurence CODERRE, University of California, Berkeley PANG Laikwan, The Chinese University of Hong Kong
Chairperson: YU Siu Wah, The Chinese University of Hong Kong |
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4:45pm – 5:30pm |
General Discussion
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April 13, 2013 (Saturday) Conference Room, University Service Centre for China Studies, 8/f, Tin Ka Ping Building Theme: Music, Dance and Film |
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9:30am – 11:00am |
The Color Scheme of Three Revolutionary Epics in Socialist China (1964-2006): Red Legend, Grey Performance, or Black Restoration to Capitalism Xiaomei CHEN, University of California, Davis Singing in the Dark: Film and Cultural Revolution Musical Culture
Paul CLARK, University of Auckland
Chairperson: WU Ka Ming, The Chinese University of Hong Kong |
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11:00am – 11:30am |
Coffee Break |
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11:30am – 1:30pm |
Enjoying Propaganda Art:The Aesthetic Experience of Cultural Revolution Music Barbara MITTLER, University of Heidelberg
Making the Confucianist Meditative Tool into the Maoist Revolutionary Weapon? The Chinese Seven-stringed Zither Qin in the Era of Cultural Revolution TSAI Tsan Huang, The Chinese University of Hong Kong
Chairperson: Denise HO, The Chinese University of Hong Kong |
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1:00pm – 2:30pm |
Lunch |
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2:30pm – 4:00pm |
Jiang Qing's View on Art and Its Embodiment in the Model Operas DAI Jiafang, Central Conservatory of Music
Musical-dramatic Experimentation in the Yangbanxi: A Case for Precedence in the Great Wall John WINZENBURG, Hong Kong Baptist University
Chairperson: TSAI Tsan-Huang, The Chinese University of Hong Kong? |
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4:00pm – 4:30pm |
Coffee Break |
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4:30pm – 5:30pm |
Closing Discussion
Chairperson: Rachel HARRIS, SOAS, University of London |